Mistakes in your Voice Track can be fixed on the fly. Plug in your studio microphone and begin recording. Hindenburg records uncompressed sound to give you the best audio quality. As you step in your front door and kick off your shoes, you are ready to publish. On the way back on the train you can edit your audio. In a day you can record at the shores of the Isle of Wight and later sit at a nearby cafe and listen through the interview. You can record, edit and share your story from anywhere. This cross-platform audio editor requires no external hardware or state-of-the-art computer. You can work anywhere with Hindenburg - in the field, on an airplane, or at the office.
#PRO TOOLS UNHIDE TRACKS PRO#
This still uses Ctrl (Start on a PC) but multiple destinations can be now be selected which wasn’t the case previously.Hindenburg Journalist PRO is a multitrack audio editor designed for audio producers. UPDATED - Since Pro Tools 2018.7 is is now possible to select multiple busses (or inputs/outputs in a single operation). Use this anywhere you would use a post fade send left at unity to duplicate an output. A “+” will appear in front of the output to indicate that multiple outputs have been assigned. Something many people don’t realise is that it is possible to assign the main track output to multiple busses by holding Control (Start on windows) and assigning to another buss or output. If you want the level going to both busses to follow the main fader then create a post fader send (the default) and if you want them to be independent of each other create a pre fade send using the blue “Pre” button on the send. If you want a signal to go to multiple busses at the same time then sending to one buss from the main track output selector and a different buss from a send is fairly straightforward. The fact that a track can be routed to more than one buss at a time becomes apparent fairly quickly when you start to use auxiliary sends. The facility to simultaneously bounce multiple stems in Pro Tools 11HD makes this process particularly painless but real time printing of multiple busses to multiple tracks is available to everyone. In the bounce to disk dialogue alternative sources other than the main output can be selected and the output of a buss can be bounced in exactly the same way as the main output. It has always been possible to route via a buss to an audio track instead of an aux input. The other really significant use for submixing via busses is for creating stems. While you can use subgroups for level control the real point of them is to bring audio together for processing. Many new users assume that the reason for creating submixes is for level control but mix groups exist for this purpose. While in both scenarios all the source tracks get compressed, the results from these two approaches sound significantly different. The most obvious example of this is the difference between compressing source tracks individually or submixing the source tracks and compressing the submix through a single compressor. This can be done for convenience, as more sources can be processed through fewer plug-ins or because it sounds different. By assigning tracks which “belong together in some way” (I’m deliberately avoiding using the word group here…) to a buss instead of the main output it is possible to bring these tracks together for processing on a shared aux input.